After centuries of steady growth, canes reached the zenith of their popularity in Europe and North America around the end of the 19th century, becoming a symbol of status, wealth, and sophistication. This piece is a prime example of what would have been carried by a member of the most affluent social strata given the materials used and the level of workmanship. It is theorized that the figure of the woman carved in the grip of this cane is meant to represent Cleo de Merode, a famous late 19th century ballet dancer who is often noted as the first real celebrity icon. There is a relief carved floral band 5 1/2 inches below the grip which has the word "CLEO" intertwined in the vines. The woman portrayed on the grip wears a floral crown and a long draped shroud with her eyes closed and hands folded, but otherwise appears to be nude. The previously mentioned book notes that the carving on the grip of this cane bear a striking resemblance to a bronze titled "Standing Nymph" by de Lagrange, as well as another by Pierre Felix Fix-Masseau named "Le Secret". Regardless of who the carving represents specifically, the quality of the workmanship is without question, showing detail down to the floral pattern of the trim on the shroud. The shaft is of smooth antique ivory, apart from the previously mentioned carved floral band, and tipped with a brass and iron ferrule. It measures 34 1/2 inches overall. Provenance: The Larry Mattson Collection