While we were attending The Colorado Gun Collector's 48th Annual Gun Show in Denver this past May, we took in quite a few consignments.  One of the items was not a gun, but was such a direct link to history and collector firearms that it immediately stole our attention.  At first glance, it appeared to be little more than a humble book with a simple, engraved silver shield adorning its front cover.  The gilt text on the spine read "ALBUM" and we were intrigued.

Historic Leather Bound and Silver Furnished Photo Album from the Household of Historic Master Engraver Gustave Young, as Documented by Noted Arms Historian R.L. Wilson, From His Personal Collection

This album would turn out to be none other than a family photo album of legendary engraver Gustave Young, the German-born artisan whose signature crisp scrollwork and beautiful designs would set a high standard for all future gun engravers.  The "MY" engraved on the silver shield stands for Marie Young, his wife, and the "dot and line" border on the shield is in the style of the master himself.  Inside are 63 photos of men, women, and children and included with the photo album is a letter from renowned author and historian R.L. Wilson, telling the story how he found this album and came to possess it.

Gustave Young can be seen as a young man in the lower right photo.

Young immigrated to the United States in 1846, would engrave for Colt from 1852 into the mid 1860's, mentor the then-apprentice Conrad Ulrich, leave Colt, and return to run his own shop full-time.  He would be commissioned by Smith & Wesson in 1865 and officially enter their employ from 1869 into the 1890's.  His stature then was almost equal to what it has become today. He was once known to have thrown D.B. Wesson out of this work area yelling, "Get out of my shop!  You talk so much I can't work!"

One characteristic of a Gustave Young piece that has changed over the years: the price.  He once wrote a letter to Wesson stating that his work would take 5-6 days to complete and that his charge would be $50.00. His works now command hundreds of thousands of dollars or more! Oddly, these masterpiece creations were the engravers secondary job while employed at their respective factories.  Their primary task was to create the dies required to produce firearms.  Firearms historian Roy Jinks says, "The engraver was busy cutting letter and number stamping dies, hammer and trigger checkering cutters, and wheels for rolling the company name on top of the barrel.  Engraving and gold inlaying were secondary assignments, designed to increase revenue and help reduce the overhead of this expensive service."  Gustave would pass away on January 3, 1895, but had had two sons, Oscar and Eugene, that would continue his engraving legacy at Smith & Wesson until 1913.

Examine the following items.  Most of them were engraved and/or inlaid by Gustave himself, two were likely created by an engraver in his shop, but all are exceptional examples of American firearms craftsmanship.

Factory Engraved Colt Model 1851 Navy Revolver

One of two Colt 1851 Navy revolvers available in this auction, this is the earlier of the two having been manufactured in 1859.  This is a classic example of Gustave's style, showing off his European training in his trademark Germanic scrollwork on a punch-dot background.  He also included his signature Wolf's head design on the hammer as well as another animal head on the left side of the barrel lug - another well-known European design that has existed for centuries.  The contrast of the two toned metals is striking and the pistol finishes nicely with a handsome, one-piece, walnut grip.

Magnificent Sharps Panel Scene Gustave Young Engraved Model 1853 Percussion Sporting Rifle

This rifle was manufactured sometime between 1854 and 1856 and has the honor to be featured on page 103 of R.L. Wilson's book, "Steel Canvas."  He states in his book that the engraving, while performed in Young's shop, was probably executed by a worker other than Young himself. It features engraving on the patchbox, hammer, breech end of the barrel, receiver, and the edge of the muzzle.  A trademark of Young's style, it also has nine dots stamped on it to indicate the level of embellishment. Our consignor notes that only four Model 1853 Sporting Rifles were made with "Extra Engraving."  Combine that with the fact that this gun is not a Colt nor Smith & Wesson and this gun becomes an especially rare example of a Young engraving.  Also auctioned off with the rifle are the accessories and the original shipping box, still stamped on its lid with the owner's name and address.

Gustave Young's 1893 Chicago World's Fair Exposition Engraved and Gold Inlaid Smith & Wesson 44 Double Action Frontier Model Revolver

This exquisite beauty, a Smith & Wesson .44 Double Action Frontier revolver, was displayed at the Columbian Exposition in Chicago in 1893. At the fair, Smith & Wesson exhibited spectacularly decorated handguns, including those manufactured in conjunction with Tiffany & Co. The revolver's engraving exhibits Young's rich quality and style of scrollwork. Gold inlaid scrollwork is incorporated in the engraving found on the barrel, on each cylinder flat, on the sides of the frame and on the area behind the hammer. A simple border engraving is featured around most of the scrollwork as well as on the hammer.

Factory Engraved Colt Model 1849 Pocket Revolver

Here the dots which Gustave Young and his shop used to indicate varying levels of ornamentation can be seen on the hammer.

This Colt Pocket Revolver is a smaller firearm than the other featured pieces seen here, but it also manages to be saturated with textbook Gustave Young style.  The scrollwork, the wolf's head hammer, and punch dots on the hammer are all in-line with his work.  This revolver, while maintaining those characteristics as well as the stately, polished walnut handle, also has some features that the other guns in this article would be proud to possess.  The scroll scene on all visible screws are engraved on their heads, a feature absent on even the previous gun that was featured in the Columbian Exposition.  This revolver's brass trigger guard and backstrap, in addition to being engraved, are also silver plated.  It's another classic example of Young's style that any collector would be privileged to have in their collection.

Fine Cased Gustave Young Factory Engraved Colt Model 1851 Navy Revolver with Factory Letter

The later of the two Colt 1851 Navy revolvers in our September 2013 Premiere Auction, this particular specimen still enjoys the comforts of its case and the company of its accessories.  A subtle difference between the two is the factory marking indicating that the firearm was to be engraved.  On the earlier model, a simple square shaped punch is placed in several locations, but on this model the punch has since been replaced by the letter "E" for "engraved" or other special finishes.  The amount of finish on the gun is impressive as are the touches of case-hardening that grace the receiver, trigger, and screws. The walnut grip shines with polish and its wood grains were well-chosen to finish out this becoming firearm.

A prime example of Young's signature "Wolf's Head"

This auction's representation of Gustave Young works is truly impressive.  What's more, there are firearms in this auction decorated by other master engravers in Young's beloved style.  Names such as Dennis Kies, Conrad Ulrich, and Andrew Bourbon have all engraved firearms in the Young style that appear in our September 2013 Premiere Auction.  This auction is truly a potent and diverse offering of some of the most significant and spectacular firearms.  Featuring the collections of noted collectors such as William H.D. Goddard, Mac McCroskie, Michael Ginn, C.D. Terry, Chuck & Sharron Lindley, Jerry Bowe, James Rankin, and John Olin, we're truly excited as our September auction date grows closer and closer.  We hope you are too.  Keep reading each week for more articles about the marvelous firearms here at Rock Island Auction Company!

One of the many animal heads that Young would incorporate in his scrollwork, a technique European engravers have used for centuries.